Irish Education Policies

The UNCRC (United Nations Convention on the Rights of the Child) was developed in 1989.It is a binding agreement on the rights of children which was adopted by the UN General Assembly. The aim of the convention is to promote, protect and fulfill the rights of the child. It consists of 41 articles which each targets a different right. These articles are commonly grouped together under the following themes:
  • Civil and Political
  • Social, Economic and Cultural 
  • Protection

                            
The rights of the child can also be categorized under the following four headings:


  • Survival
  • Development
  • Protection
  • Participation

There has also been immense progress made for the rights of the child in Ireland through establishing a new government department for children and youth affairs.


The post-primary education sector comprises secondary, vocational, community and comprehensive schools. Secondary schools are privately owned and managed. Vocational schools are state-established and administered by Education and Training Boards (ETBs), while community and comprehensive schools are managed by Boards of Management of differing compositions. 

The National Strategy to Improve Literacy and Numeracy among Children and Young People 2011-2020



Literacy and numeracy are among the most important life skills that our schools teach. No child should leave school without having mastered these skills to the best of their abilities. Literacy and numeracy skills are crucial to a person’s ability to develop fully as an individual, to live a satisfying and rewarding life and to participate fully in our society. Ensuring that all young people acquire these skills is one of the greatest contributions that we can make to achieving social justice and equity in our country.

The National Strategy aims to focus on these skills through the development of methodologies across all subjects within the curriculum. Traditionally we have thought about literacy as the skills of reading and writing; but today our understanding of literacy encompasses much more than that. Literacy includes the capacity to read, understand and critically appreciate various forms of communication including spoken language, printed text, broadcast media, and digital media. Throughout this document, when we refer to “literacy” we mean this broader understanding of the skill, including speaking and listening, as well as communication using not only traditional writing and print but also digital media.

Numeracy is not limited to the ability to use numbers, to add, subtract, multiply and divide. Numeracy encompasses the ability to use mathematical understanding and skills to solve problems and meet the demands of day-to-day living in complex social settings. To have this ability, a young person needs to be able to think and communicate quantitatively, to make sense of data, to have a spatial awareness, to understand patterns and sequences, and to recognise situations where mathematical reasoning can be applied to solve problems.


Literacy In Art, Craft & Design

Oral Literacy

Questioning: Questioning is of high importance pre, while and post each lesson. Pupils need to develop their opinion through answering a series of questions about their work beginning with what they like about their piece and/or what they can improve to gradually progressing into problem solving through discussion with their peers and the teacher, “good questioning is used to promote learning and understanding for all” (DES, 2015).

Presentations: Effective classroom management techniques would allow for each pupil  or group to be given appropriate time to present their work and answer questions afterwards. By being given allocated time, pupils will be able to develop their presentation skills and gain confidence in knowing how long they have to speak for.

Discussion: Oral literacy and discussion is developed from the beginning of First Year so that pupils become more comfortable and confident with their presentation skills and as they and their Artwork matures which enables  their skills to become more advanced, so does their oral literacy.

Collaborative Work: It is the role of the teacher to make sure pupils get involved in oral discussion with their peers and as a whole group so they fully understand the tasks, develop ideas for their work, provide constructive criticism in order for others to develop work and to become comfortable to speak about their work as future artists or designers.

Critiques: As artists and designers ourselves, we understand the importance of oral literacy and discussion. At the end of every week we would have critiques or presentations and during the week we would have to talk about our work to our tutors and peers. We understand the importance of becoming confident in speaking about our work from a younger age so constructive criticism does not affect someone personally when really it is encouragement to reach a higher standard.


Vocabulary



Health & Safety: Art Craft and design are heavily laden with task specific vocabulary for practical work. It is very important from both a process and a safety point of view that pupils fully comprehend both instruction and conceptual thought processes.

Key Words: When starting  a new topic key words and new terms would be incorporated into the dialogical exchanges, this will aid pupils incidental acquisition of terms.

Active Learning: It is often more beneficial to engage the pupils in a game to see who can give the most accurate explanation of the term. A description which has come from the pupils is more effective than a dictionary definition.

Repetition: Constant repetition of new terms will help the pupils to retain the information and become part of their word bank.

Word Banks: Introduction of discipline specific terms would be written on board to show spelling/ definition of specific terms. These would be noted within the students designated copy book or “Art Dictionary” where the key words are recorded alphabetically along with key artists introduced associated with a particular discipline.

Evaluation: The pupils would be encouraged to speak about the work they are doing and to use the correct terminology acquired while doing so, whether it be spoken where the pupils would reflct on their own work or that of their peers or written in the form of a personal response to the artwork.

Written Literacy



In Art it is more common to use the process approach especially in JC where it is the message that is important. In LC there may be more emphasis on spelling and structure but still it is the meaning that is sought.


Examples of writing tasks in Art:
Brainstorm: Our pupils write as part of the creative process. They can start with single words as part of a brainstorm task, then to get some flow by asking them to summarise their key ideas in a couple of lines. This involves Plan - Compose - Draft.
Art Appreciation: Showing them an image or a painting and asking them to respond to it by writing a short paragraph and the teacher writes up the key terms that need to be used.
Reflection: Task at end to reflect on the lesson and note three things they learnt today, this involves writing under time pressure, it is in their own words, what was important to them.
Essay Writing: Getting the pupils to practice writing essays in Art as this is what they will do in LC exam.

Comprehension



Comprehension is at the core of the process and product of reading. It is an active process which occurs in the translation between the text and the reader. Comprehension must be explicitly taught so that students understand the vocabulary they are reading, writing and discussing in context.
(Wray 2001) suggests that literacy is “the ability to use various modes of communication such as books, letters, email, electronic and print media”. In order to communicate well pupils must have a good understanding and comprehension of subject specific literacy.
Critical Thinking: It is necessary that students understand what they are reading, writing and discussing in the Art classroom to allow further learning and critical thinking.
Some comprehension strategies as suggested by (Harrison 2004) and used in the art room include:
 PRE
Personal Response
E.g. What is your initial response in relation to the theme of this painting and explain why?
Prior Knowledge
E.g. What is your past experience with and knowledge of printmaking? Share this with your partner.
WHILE
Making connections
E.g. In groups discuss the similarities between Impressionism and Post Impressionism.
Question Generation
E.g. Student generated questioning around what was and what was not understood.
POST
Summarisation
E.g. Summarise what we have learned in the lesson in your own words.
 Selecting key words and the most important parts
E.g. What do you think the artis was trying to say with this piece?

Reading

                             
Symbols: Reading is the everyday action of decoding symbols for meaning. When reading an image Art pupils are expected to decipher universal signs and symbols which can convey a variety of meanings. The use of a certain colour can signal a certain emotion, a dove represents peace, a heart love etc.
Reading of Text: Reading of a text plays a vital role in the acquisition of information regarding artworks, artists and the history of Art. Typically the Top-down model is exercised within the classroom whereby meaning plays a central role. When reading from an Art History textbook, the text is usually accompanied by images also. These images help provide pupils with some meaning before even reading the text.
Researching: Independent research occurs regularly within the Art class as individuality is at the forefront of the subject. When researching an artist or artwork online or in an Art history book, pupils can be confronted with an intimidating amount of information. Therefore at times skimming of texts would be encouraged in order to locate relevant information regarding the piece of art or artist etc. Because of this it is imperative that Art teachers provide their pupils with a purposeful task before asking them to read, in order to know which information is relevant. 
Junior and Senior Cycle: While the reading of text plays a more substantial role in Leaving Cert, because of Art History, pupils doing their Junior Cert are expected to read through 6 themes given for their project. One of these themes is always a poem, which the pupils must decipher (for example this year a poem by Seamus Heaney Digging was included). The purpose of these themes is to inspire pupils to create a project surrounding this one topic. Therefore they must be able to understand the text they are reading. Strategies Art teachers can use to help pupils pre-reading include teachers modelling reading for their students, providing pupils with key vocabulary prior to reading and students reading by themselves and as a group.

Numeracy In Art, Craft & Design

Numeracy is an essential element across the curriculum of all subjects due to the findings within the PISA Report, 2012,therefore it is essential to relate to a strategic framework, which will enhance the pupils understanding, and develop their numeric skills in a holistic manner. “The assessments indicate that there is need to focus on enhancing students’ ability to reason, to apply their learning and engage in problem-solving processes”. Numeracy is evident within the subject of Art, Craft and Design within all disciplines in relation to symmetry, ratios, perspective, measurements, tessellations, proportion and scale. The Numeracy Task, which I have implemented within the subject of Art, Craft and Design, is the introduction of addition and subtraction within the discipline of Mask Making. The pupils have designed mask designs, which have been constructed through the medium of clay focusing on the elements of addition and subtraction. 

The Goos Model (2007) has been the framework, which has facilitated the task in question as it has given a clear indication as to the elements, which need to be considered when implementing a numeracy task within the classroom such as; Mathematical Knowledge, Dispositions, Tools, Context and Critical Orientation. I feel that the introduction of the numeracy task was “a natural and complementary vehicle” for the pupils to connect their prior knowledge to the task in question. The aim is to promote higher order thinking through the use of mathematics while adapting the pupils previous numeric knowledge to problem solve within the subject of Art, Craft and Design. “There is a need to provide support for changing the way teachers design and implement numeracy tasks-especially in subjects outside of mathematics” .

The Education Act 1998


‘’This is the first piece of legislation passed since the foundation of the state that directly outlines the governments rights and legal obligations regarding education.’’

It states that ‘Disability’ means:
  • The total or partial loss of persons bodily or mental functions, including the loss of a part of a persons body.
  • The presence in the body of organisms causing, or likely to cause, chronic disease or illness.
  • A condition, malfunction, malformation or disfigurement of a part of a person’s body.
  • A condition or malfunction which results in a person learning differently from a person without the condition or malfunction.
  • A condtion, illness or disease which affects a persons thought process, perception of reality, emotions or judgment or which results in disturbed behavior.
The act also provides the first legal definition of special educational needs.

‘’Special educational needs’ means the educational needs of students who have a disability and the educational needs of exceptionally able students.’’
  • The act defines the support services which the Minister for Education provides to parents, pupils and the educational center must include appropriate services and resources.
  • It defines the functions of the Minister for Education by which they must ensure all provisions of the act are being met.
  • The role and responsibilities of school inspectorates are outlined in relation to necessary inspections and assessments being carried out.
  • Statutory provisions for NCCA (National Council for Curriculum Assessment) are outlined within the act.
  • It ensures all children with special needs are educated in a school with additional supporters.
  • It ensures schools comply with all regulations and policies regarding special educational needs, that they offer all resources needed for special education and do everything to benefit and facilitate the child and parent attending the school.

Education for Persons with Special Educational Needs Act (2004) EPSON

This is the most important act, which has been introduced in Ireland which describes the education of children with special educational needs.


The act defines:
  • Special education should involve the parent and allows parent to
  • Be informed of any difficulties the child may be having
  • Ensures staff have the knowledge to notice if a child is having difficulties
  • Ensures integrated and inclusive learning environments are achieved
  • The issue of inclusion with regards to children with additional needs in mainstream settings
  • Preparation of educational plans for children with special needs by educational facilities
  • An educational plan should accompany each child which is assessed
  • All necessary information which should be included in IEP’s
  • Parents and children should be involved in IEP’s
  • Assessment of special needs must be organized by a school principal and should commence one month after the request
  • Service provisions
  • Information about appeals
  • SNA resources
           

Disabilities Act 2005

’A substantial restriction in the capacity of the person which is permanent or likely to be permanent, to carry out a profession, business or occupation in the state or to participate in the social or cultural life of the state by reason of an enduring physical, sensory, mental health or intellectual impairment.’’

Assessment is a key element of the act in which it outlines:
  • Alternative access to assessment
  • Assessment of needs report
  • It ensures all public buildings provide support and access to services and activities for people with disabilities
  • It outlines how to process complaints and appeals
  • It defines restrictions on genetic testing
  • Ensures inclusion of people with disabilities in the work place
  • Ensures special education in Ireland in the following ways:
  • Full accessibility for children with disabilities to all amenities in a school
  • Allows parents to independently apply for a child’s assessment through a GP
  • Obtain resources from needs report
  • SNA appointed when needed
  • Wheelchair ramps/handrails/bathroom rails and braille rails provided where needed
  • Inclusion of child with additional needs at all times

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